With an online award ceremony on 30 July 2020, the Irish National History Competition organisers made the most of a rather difficult situation. Their online celebration was able to create an atmosphere similar to the Oscars with the suspenseful revealing of prize winners at the end of their ceremony.
At EUSTORY‘s youth encounters participants can find friends with whom they can exchange ideas about important questions of politics and identity. In an interview, EUSTORY Alumnus Jonas from Germany explains why this is important to him.
The interest was huge: More than 1,500 children and young people handed in 1,120 contributions to “Tomorrow's History - Everyday Life in Times of Corona“. With this initiative the German History Competition together with “coronarchiv” wanted to encourage young people to actively shape the way how future generations might talk about the epidemiological threat of 2020.
Starting in September 2019, a total of 1,727 young people aged between 14 and 18 years got engaged in the competition dealing with the topic „Soviet Past – Rethinking the History“. Teamed up into research groups, pupils conducted 290 local studies of the Ukrainian Soviet past.
On 2 June 2020, the President of the Republic of Estonia, Kersti Kaljulaid, welcomed the prize winners of the 21st Estonian EUSTORY History Competition in the presidential castle in Kadriorg Park in Tallinn. The prize winners were honoured for their successful entries on the topic of “Estonia in the World, the World in Estonia”.
Russia was the first EUSTORY Network Member to develop a digital format for their history competition’s award ceremony that had to be cancelled due to restrictions caused by the Corona pandemic – a challenging experience with some unexpected outcomes.
In our series "Getting to Know EUSTORY Alumni" we introduce some of the young people from Europe and beyond who took part in our EUSTORY youth encounters and became EUSTORIANS. Let us introduce Tzivia from Israel to you today.
The Instagram Museum "Silent Stories of 1945" has opened its digital doors. It presents stories which have not previously been heard, forgotten life stories and stories which represent contradictory experiences of the war.